Established in 2019, STUDIO operates as a creative production house in Zurich, Switzerland. Drawing from connections in art, culture, and photography, STUDIO specializes in facilitating collaborations between art and brands. Committed to innovation, STUDIO showcases projects that offer fresh perspectives: Their biannual outlet, STUDIO Magazine, functions as a gallery, presenting curated stories. It includes artist interviews and exhibitions, serving as a vibrant platform for creative exchange.
with CHARLES BLUNIER & CO.
Courtroom dramas have been a staple as long as tragedy itself. With the advent of new media, courtroom hearings have become accessible, transforming this institutional practice into a widespread spectacle. Courtrooms metamorphose into stages, with its participants assuming the roles of actors, as observed by Minou Arjomand in her publication 'Staged – Show Trials, Political Theater, and the Aesthetics of Judgment.' Media scrutinizes every detail of Gwyneth Paltrow’s courtroom attire, describing it as 'a deliberate display of wealth and influence.' Winona Ryder's iconic black dress with pink accents, part of the 2001 Marc Jacobs collection, made headlines and cemented her as the face of the brand in four campaigns. Fashion becomes a currency in the realm of justice, meticulously orchestrated and integrated into the solemn backdrop alongside the uniformed supporting cast. The fashion editorial seeks to dissect these aesthetics. The media imagery itself becomes an aesthetic, with the focus on the protagonist against the austere backdrop of the courthouse building and courtroom, relegating other participants to the role of (uniformed) supporting players.
Commissioned by STUDIO Magazine Issue 8 “Voyeurism”
Photographer RAPHAEL BLISS
Art & Design Direction ROMY STRASSER
Styling JOANA ZIBAT
Make-Up Artist LEANA ARDELEANU
Hair Artist RUBY HOWES
Text by MAX WILD
Inspired by the interplay between fluids and their shell-like effect on the human body, Boyarov’s design approach is mirrored on his website.
The logotype is presented in BOYAROV Grotesk, a typeface designed collaboratively with Scott Vander Zee.
Design & implementation by NEW ASSEMBLY (Romy Strasser & Till Kammertöns)
Typeface in collaboration with SCOTT VANDER ZEE
Hero video by JOÃO FELGUEIRA
Concept and design for digital plattform of STUDIO Magazine
Editor in Chief CHARLES BLUNIER
Design & Art Director ROMY STRASSER
Managing Director SIMON TELLENBACH
Art Departement JOËL GESSLER
Implementation TILL KAMMERTÖNS
The hairdressing studio Simona La Gioia’s artistry and wide array of endeavors is being made visible through the interactive webpage, that allows the audience to browse and explore her portfolio.
Design & implementation by NEW ASSEMBLY (Romy Strasser & Till Kammertöns)
Design in collaboration with LEA FISCHLIN, ROLE STUDIO
Photography by DOMINIK HODEL
Photographer's Assistance LIN
Post production LUKAS SAXERR
Styling ARIANE VONMOOS & LAURA BEHAM
Hair & Make-up SOPHIA SINGH & DELIA SCIULLO
Location M3M3M3 STUDIO
The online store provides a deeper glimpse into Marianna's creative realm: Here, one can acquire pieces that echo her broader works, the store itself presenting an alternative approach to the conventional market mechanisms of art galleries. The visual content, reminiscent of the timeless tale of Alice in Wonderland, weaves an appealing storyline, inviting viewers deeper into the artist’s universe.
Art Direction & implementation by NEW ASSEMBLY (Romy Strasser & Till Kammertöns)
Photography LOTTE THOR
Photographer's Assistance SZYMON STĘPNIAK
Styling JOANA ZIBAT
Styling Assistance SOPHIA FRIEDL
Hair & Make-up VICTORIA PLEKHANOVA
Nails CAMILLA INGE VELBERT
Videographer TIM TOBIAS JAKOB
Runner LISA SÄNGER
Location STUPID STUDIOS
Marianna Simnett employs a wide array of mediums, including film, drawing, and sculpture. Renowned for her captivating video installations, her output has been carefully translated to her website, transforming it into a assemblage, a virtual gallery so to speak. The comprehensive collection of her artworks urges visitors to immerse themselves in the intricate narratives she crafts.
Concept, design & implementation by NEW ASSEMBLY (Romy Strasser & Till Kammertöns)
The exhibition “weg” (German for both “away” and “path”) at Helmhaus Zurich presented eleven artistic perspectives on the themes of change, movement and migration. For the campaign, we used creative coding to gradually decompose the word ‘weg’ into an abstract form. The intermediate states oscillate between typography and visualisation, clarity and dissolution, between orientation and alienation. The resulting visual shapes evoke contour lines, infographics and the cartography of paths and trails. The visual was used for posters, invitation cards, a catalogue and a trailer.
Coding NEW ASSEMBLY
Typeface “Vanilla” by SCOTT VANDER ZEE
Sound Design & Mastering NATALJA ROMINE
Commissioned by HELMHAUS ZÜRICH, SIMON MAURER
Digital branding and website for photographer Studio Siebrecht. The website was conceived as a hypermodern lightroom lookbook, a dynamic and multi-layered interface for interacting with the photographic works. Crafted specifically for Tobias Siebrecht’s unique visual style, it blends elements of reality and fiction to a new hyperreality – just like his images.
Concept, design & implementation by NEW ASSEMBLY (Romy Strasser & Till Kammertöns)
STUDIO Magazine Merch
Drone operator CHANEL
Photography by DOMINIK HODEL
The 'Hyperimages' project dissects Kim Kardashian's prominent role as a social media influencer. Led by OFFSHORE in the Visual Communication master program at the Zurich School of the Arts, this publication presents varied viewpoints from the workshop on this modern-day topic, engaging with discourses like body shaping, (de-) coding of social media images, Kardashian’s other outlets such as Keeping Up With The Kardashians. The publication is replenished with essays from Annamaria Vasvari and Christoph Miler, providing a deeper understanding on Kim Kardashian and her meaning for the Zeitgeist. The layout concept aims to explore themes of copyright on the world wide web, using both digital and analog color palettes, thereby creating an overall concept that is tangential to the individual contributions by the students.
Initiated by the Visual Communication department at the Zurich School of the Arts, overseen by Prof. Dr. Sarah Owens.
In collaboration with Lea Fischlin
HYPERIDENTITY
From the series ”Dazzle“
Dazzle, an ongoing series, draws its inspiration from a historical method of painting ships and vehicles with the intent to confound and deceive adversaries. This practice has resurfaced in modern times, serving as a means to camouflage and safeguard prototypes from the car and motorbike industries from potential design theft and exploitation.
Silk foulard for the STUDIO Magazine merch collection issue no.1 in collaboration with Laura Beham.
3D & animation in collaboration with JOHN KOEBERLE
Sound by NATALJA ROMINE